The notorious final film from Pier Paolo Pasolini, Sal, or The 120 Days of Sodom has been called nauseating, shocking, depraved, pornographic . . . Its also a masterpiece. The controversial poet, novelist, and filmmakers transposition of the Marquis deSades eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
The notorious final film from Pier Paolo Pasolini, Sal, or The 120 Days of Sodom has been called nauseating, shocking, depraved, pornographic . . . Its also a masterpiece. The controversial poet, novelist, and filmmakers transposition of the Marquis deSades eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
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