An artist and critic, there was a considerable duality to Donald Judd (1928-1994) - he was at once a man of intellectual rigor and a multi-disciplinary conceptualist who deftly moved towards a new minimalism. In 1971, he relocated from New York, to the prairies of Presidio County in Southern Texas, twenty miles from the Mexican border. It is here, in Marfa, Texas, that Chris Felver interviews Judd, providing insights into his process, his materials - aluminum, brass, Plexiglas and concrete - and the freedom he sought to achieve from institutions trying to define what art is. a rare visit with an exceptional talent and a compelling destination for art aficionados.
An artist and critic, there was a considerable duality to Donald Judd (1928-1994) - he was at once a man of intellectual rigor and a multi-disciplinary conceptualist who deftly moved towards a new minimalism. In 1971, he relocated from New York, to the prairies of Presidio County in Southern Texas, twenty miles from the Mexican border. It is here, in Marfa, Texas, that Chris Felver interviews Judd, providing insights into his process, his materials - aluminum, brass, Plexiglas and concrete - and the freedom he sought to achieve from institutions trying to define what art is. a rare visit with an exceptional talent and a compelling destination for art aficionados.
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